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February 27, 2024
‘One of the Most Epic European TV Productions of All Time,’ ‘Rise of the Raven’ Gets First-Look Image From Beta Film (EXCLUSIVE)
December 22, 2022
The Film Stage’s Top 50 Films of 2022
December 15, 2022
The Playlist: ‘Crimes Of The Future,’ ‘EO,’ ‘Aftersun’ Top Film Comment’s Top 20 Films Of 2022 List
December 8, 2022
The Globe & Mail: The 10 best films of 2022, and how to watch them in Canada
November 23, 2022
TIFF announces Canada's Top Ten 2022 and screenings at TIFF Bell Lightbox January 26–29, 2023
October 6, 2022
Variety: The Best Horror Movies of 2022 So Far, Ranked — From ‘Barbarian’ to ‘X’
September 21, 2022
Deadline: David Cronenberg Talks “Autobiographical” Next Project And Shooting ‘Crimes Of The Future’ Scenes On An IPhone — San Sebastian
July 16, 2022
Variety: Robert Lantos’ Serendipity Point Films, Beta Film Join Forces on ‘Rise of the Raven’ (EXCLUSIVE)
June 7, 2022
Los Angeles Times: David Cronenberg on the evolution to ‘Crimes of the Future’
February 22, 2023
Nominees Announced for the 2023 Canadian Screen Awards
December 19, 2022
The New York Times: The Best Genre Movies of 2022
December 14, 2022
IndieWire: The 50 Best Movies of 2022, According to 165 Critics from Around the World
December 2, 2022
Rolling Stone: 22 Best Movies of 2022
November 6, 2022
WINNERS ANNOUNCED FOR 21st ANNUAL DGC AWARDS
IndieWire: The 38 Best Films of 2022, So Far
August 9, 2022
Variety: ‘Crimes of the Future’ Producer Robert Lantos on How Epic Drama Series ‘Rise of the Raven’ Will Raise the Bar for Hungary (EXCLUSIVE)
June 14, 2022
The Hollywood Reporter: David Cronenberg’s ‘Crimes of the Future’ Goes to Mubi for Latin America, Turkey, India
May 12, 2022
The Globe and Mail: Robert Lantos: Canada’s one true movie mogul, and perhaps its last